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Art’s Social Reflexions

Posted in Speculation with tags , , , , , on 2013/05/06 by las Pétroleuses

Not too long ago, in a reddit comment on r/Bioshock, I found myself entering into a bit of an exegesis about the nature of art, and its social function:

“Ultimately, “art” is any thing a human has created which is a “reflection” of that person’s world (for art to be non- or anti-representational is a choice; I doubt we’ll ever find a society whose art starts out as abstract). But “reflection” is not the best word, as that feeds into one of the main ideologies of art, that art can be passively considered and observed; an example of this is when artists (I think of Christopher Nolan and Kathryn Bigelow’s comments on their most recent films) say that their work merely reflects back at the spectator the culture which the artist and the spectator share. This is ideology, in the pejorative sense, insofar as all art is necessarily more than just a reflection of the society which gave birth to it: it is an instantiation of this culture, and an intervention into it. (One of ideology’s main functions, it seems to me, is to cover over the intricacies of this process by which supra-individual, societal things, from art to religion to gender to the market to politics, exist only by why of the actions of individuals who presuppose their existence independently of said actions.) In other words, art is political–moreover, the notion that a piece of art can be non-ideological, “purely for entertainment,” is, I believe, in fact the most ideological notion of art possible. (I say “I believe” specifically because I did not come up with this point about ideology. The credit for that belongs to Slavoj Zizek.)” (I’m sure BioShock: Infinite will get its own long analysis here in the future.) Continue reading